Talk - The Depiction of European Women in Late Safavid Paintings by Dr. Negar Habibi (University of Geneva), Khamseen, February 2021
This talk presents a group of 17th-century Persian paintings made in the farangi-sazi or Occidentalist style. It focuses in particular on depictions of females whose iconography is of European origins. Inspired by the print medium, some of these compositions recall Persian depictions of Shirin bathing, while others depict biblical saints such as the Virgin Mary. Taken as a collective, these paintings craft a visual form of Occidental exoticism and also provide insights into Iranian perceptions of European subjects and themes during the early modern period.
Habibi, Negar. “From Khazana to Audience: On the Making of New Art in the House of Shah Soleyman.” In Safavid Persia in the Age of Empires, edited by Charles Melville, 217–38. London: I.B. Tauris, 2021.
Habibi, Negar. “Zan-i Farangi, a Symbol of Occident: The Euoropean Women in Farangi Sazi Paintings (1666-94).” In Iran and the West: Cultural Perceptions from the Sasanian Empire to the Islamic Republic, edited by Margaux Whiskin and David Bagot, 225–40. London: I.B. Tauris, 2018.
Landau, Amy S. “Visibly Foreign, Visibly Female: The Eroticization of Zan-i Farangī in Seventeenth-Century Iranian Painting.” In Eros and Sexuality in Islamic Art, edited by Francesca Leoni and Mika Natif, 99–129. Farnham Surrey, England ; Burlington, VT: Ashgate Publishing Company, 2013.
Langer, Axel. “European Influence on Seventeenth-Century Persian Painting: Of Handsome Europeans, Naked Ladies, and Parisian Timepieces.” In The Fascination of Persia: Persian-European Dialogue in Seventeenth-Century Art & and Contemporary Art of Tehran, edited by Axel Langer, 170–237. Zurich: Scheidegger and Spiess AG, 2013.
Negar Habibi, “The Depiction of European Women in Late Safavid Paintings,” Khamseen: Islamic Art History Online, published 9 February 2021.